Review of the movie Goodbye The wide humour and exaggeratedtenderness in Amitabh Bachchan and Rashmika Mandana's movie work just fine when the passion periodically bubbles to the level without the equivocating.
Faced with death and its ramifications is a well-known issue. In the film "Goodbye," a fragmented Chandigarh family learns about the demise of a valued family member in different ways. It's also about what occurs when you return home to an empty house where the deceased's presence is still very much there.
Recently, "Ramprasad Ki Terhvin" and "Pagglait," two movies that centre on large joint families in tiny communities, were both seen. Except for a few sardars and a large group of mourners who sound Punjabi, "Goodbye" doesn't have a particularly Chandigarh feel to it. However, what we observe is a large sufficient immediate family rather than distant relatives. A grieving husband who lost his loving wife is joined by three kids, a daughter, an aunt, a grandpa, and other family members.
Another common tactic is the unexpected death that brings distant family members together. That is the main goal of Bahl's new film, which appears to have moved on from his #MeToo allegations. That, and wringing the audience's tears. 'Goodbye' is an awkward combination of genres, tragi-comedy, broad humour, and heavy-handed sentimentality, which succeeds best when the emotion periodically rises to the top without the belabouring. That is due to the bond between the bereaved Harish (Amitabh Bachchan) and his dearly deceased wife Gayatri (Neena Gupta).
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